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Rachmaninoff in Israel and Suzhou

ace | 25 May 2019

Rachmaninoff in Israel and Suzhou
Xu Zhong × Yingdi Sun

Haifa Symphony Orchestra · Haifa, Israel · May 5–6, 2019
Suzhou Symphony Orchestra · Jinji Lake Concert Hall, Suzhou · May 25, 2019

Overview

Following their successful collaboration in Israel, conductor Xu Zhong and pianist Yingdi Sun reunited in Suzhou to perform two of Rachmaninoff’s most iconic works — the Piano Concerto No. 3 in D Minor, Op. 30and the Symphony No. 3 in A Minor, Op. 44.
Presented as part of the Suzhou Industrial Park 25th Anniversary Celebration Concert, this performance marked the continuation of a shared artistic journey between two leading Chinese musicians who have both studied and worked extensively in Europe, bringing an international sensibility to Rachmaninoff’s deeply Russian sound world.

Program

Sergei Rachmaninoff (1873–1943)

Piano Concerto No. 3 in D Minor, Op. 30

I. Allegro ma non tanto

II. Intermezzo: Adagio

III. Finale: Alla breve

 

Symphony No. 3 in A Minor, Op. 44

I. Allegro moderato

II. Adagio ma non troppo – Allegro vivace

III. Allegro

Artists

Conductor — Zhong Xu

Renowned pianist and conductor, Music Director of the Haifa Symphony Orchestra and Suzhou Symphony Orchestra. His refined musicianship and commanding presence on the podium have established him as one of the most prominent Chinese conductors on the international stage.

Piano — Yingdi Sun

Gold Medalist of the 7th International Franz Liszt Piano Competition (Utrecht, 2005), Sun is celebrated for his profound expressivity and technical brilliance. His interpretation of Rachmaninoff’s Piano Concerto No. 3 was praised for its architectural clarity and emotional sincerity, balancing virtuosity with poetic restraint.

Notes

Just weeks before the Suzhou concert, Xu Zhong and Yingdi Sun performed the same Rachmaninoff program in Israel with the Haifa Symphony Orchestra, earning enthusiastic acclaim from local audiences despite the challenging circumstances of the time. Their reunion at Jinji Lake Concert Hall offered a resonant echo of that triumph — an artistic dialogue between East and West, lyricism and grandeur, human fragility and musical transcendence.

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