Not the Ancient Tunes
Yuanchun Yu and Friends · Fusion Chamber Music Series
Reinventing Instrumental Language · Reimagining Chinese Music
Overview
“Not the Ancient Tunes” is not a rejection of tradition, but a re-encounter with it — a journey to speak the ancient through a modern tongue.
Led by pipa virtuoso Yuanchun Yu, the series brings together piano, dizi and xiao, percussion, erhu, and guzheng in a chamber-music dialogue that fuses improvisation, heritage, and contemporary imagination.Each concert unfolds as a living conversation between cultures and centuries — where the pulse of jazz meets the cadence of Tang poetry, and the Silk Road’s echoes resonate within present-day harmony.
It is both a stage experiment in technical and artistic balance and a reflection on how traditional sound can embody a modern spirit.
Program
Wuhan Concert Hall · March 16 2024
Pipa Yuanchun Yu | Piano Dawei Qu | Dizi/Xiao Xiaokui Ding | Percussion Yu Zheng | Erhu Zitong Wang | Guzheng Yuxuan Zhang
National Centre for the Performing Arts, Beijing · June 16 2024
Original ensemble reunion, featuring new improvisations and expanded chamber textures.
National Centre for the Performing Arts (Premiere Edition) · April 18 2021
The inaugural edition, where composers and performers co-created music live on stage — defining the aesthetic foundation of the series.
Mid-Autumn Special · CloudSong Hall · September 14 2024
Guest appearances by soprano Jiani Wei and percussionist Kaizhong Cao, blending voice and instrument in a celebration of moonlight and renewal.
Musical Highlights
Hunting the Deer · Lin Di
Inspired by The Book of Songs, the piece paints the vivid tension of an ancient hunt — from the warriors’ departure to the triumphant chase.
After the Rain, the Lotus Blooms · Lei Huanran
A duet for pipa and guzheng, evoking the fragrance and serenity of a summer pond through elegant pentatonic counterpoint.
Impressions of the 24 Solar Terms · Jinfan Jin
A poetic suite portraying China’s agrarian calendar — four movements (Grain in Ear, Grain Rain, Frost’s Descent, Beginning of Autumn) reimagined in miniature chamber textures.
Scattering Gold Sands · Yuanchun Yu
Rooted in the Dunhuang Pipa Manuscripts, this dialogue between pipa and Chinese drum fuses Silk Road rhythms with spontaneous improvisation.
Strings of Silence · Jing Sun
A meditative solo tracing the pipa’s journey through Central Asia, merging Indian and Chinese influences into a spiritual contemplation.
The Scholar and the Warrior · Jing Sun
Commissioned by Yuanchun Yu — a modern reflection on duality in Chinese aesthetics: intellect and strength, restraint and passion.
Ling Yan · Guan Dazhou
Named after the Lingyan Pavilion of Tang dynasty fame — a musical monument to loyalty, memory, and human dignity.
Light of the Silk Road · E Mao
A three-movement work (The Journey · Market Dance · Hope), weaving Jasmine Flower motifs with asymmetric 7/8 rhythms, portraying cultural encounter and renewal.
Eternal Victory · Jing Sun
Combining Norse folk motifs with Chinese timbres, this piece celebrates resilience and transcultural harmony through improvisatory chamber dialogue.
Guess the Tune · Yunnan Folk Song · Arr. Dawei Qu
A witty conversation between jazz harmony and folk rhythm — playful, virtuosic, and delightfully unrestrained.
Gallery
Artistic Spirit
Ancient as Root –
draws on Dunhuang manuscripts, Tang-Song poetry, and Silk Road imagery as deep cultural lineage.
Modern as Language –
embraces contemporary composition, harmony, rhythm, and live improvisation.
East–West as Dialogue –
juxtaposes Chinese timbres with piano, percussion, and chamber instrumentation to form a new collective sound.
Stage as Creation –
treats performance not as reproduction, but as “real-time composition” — each concert a unique, unrepeatable moment of co-invention.
Artists
Program Essence
“To play the unplayed —
not by denying the past, but by letting it breathe anew.”
Through Not the Ancient Tunes, Yuanchun Yu and her ensemble invite audiences to experience Chinese instrumental music as a living art — one that is improvised, philosophical, and profoundly contemporary.
It is an encounter between sound and spirit, tradition and transcendence — a testament to how ancient strings still speak in the language of now.








