Chamber Music
China Horn Ensemble

Biography
The China Horn Ensemble was founded in Beijing in 2015. In response to the increasingly mature musical environment in China and in order to further develop the horn scene and bring top-level music to audiences, Central Conservatory of Music horn professor Yi Man initiated the formation of the “China Horn Ensemble,” which quickly resonated with outstanding Chinese horn players at home and abroad. In the autumn of 2015, a group of the most exceptional Chinese musicians came together, united by a shared vision, and established this vibrant horn ensemble. Since its inception, the ensemble has become one of the most prominent chamber music groups in China.
In recent years, the development of the horn in China has been rapid, and Chinese horn players are gaining increasing recognition on stages worldwide. Whether living overseas and holding professional positions abroad or returning to teach at major arts institutions in China, these outstanding musicians have become the backbone of the Chinese horn world. The ensemble includes professors and elite performers from top Chinese conservatories as well as internationally acclaimed principal horn players from leading orchestras abroad. This lineup is not only technically brilliant and full of vitality, but also reflects how the China Horn Ensemble is aligned with top-tier international music environments and has earned a place on the global music stage.
The ensemble’s debut concert was presented at the 2015 Beijing International Horn Festival. With refined artistic quality, a warm and glorious tone, and a program full of innovation, they brought a surprising gift to Beijing audiences. Following the widespread acclaim, they were invited to perform in Hong Kong and Shenzhen in 2016. That summer, they toured Germany and Austria, with appearances in Mainz, Bremen, Munich, and Vienna. Each musician brought heartfelt sincerity and passion for the horn, delivering the most moving performances. Wherever they went, whether in China or abroad, they impressed and moved listeners—both professional horn players and general audiences alike—with their superb musicianship. Their concerts are known for being sold out, often requiring additional seating. The infectious energy of their live performances and the richness of their programs consistently elicit long and enthusiastic applause from audiences.
Austrian horn master Professor Hans Pizka—former principal horn of the Bavarian State Opera and a significant figure in the European horn world—has visited China many times. He has devoted his life to promoting and developing the art of the horn, and was personally awarded the title of “Professor” by the Austrian President for his significant musical contributions. After attending a concert by the China Horn Ensemble, he gave high praise for their performance. From a professional perspective, he lauded the ensemble’s musical interpretation and technical delivery across various styles. In his reflections after the concert, he wrote:
“This was a truly excellent horn ensemble concert. The tone was beautiful, the accuracy of the high notes was superb, and the low horn had an effect equal to that of a double bass—absolutely outstanding. The performance was humorous, with a deep understanding of various musical styles, creating a richly layered program. The Munich Cultural Center was filled to capacity. We are all deeply grateful for the unforgettable concert you brought to us.”
Austrian horn master Professor Hans Pizka
Former principal horn of the Bavarian State Opera
The French horn possesses an unparalleled emotional timbre—mellow and profound—making it an ideal medium for expressive music. Whether on stage or in casual settings, its comforting frequency captures the listener’s attention immediately. When played with power, it evokes the grandeur of towering mountains; when played gently, it flows like a soft, murmuring stream. As a brass instrument, the horn produces sound through lip vibration. Due to its exceptionally long tubing (which can stretch up to 3.5 meters when uncoiled), it is one of the most challenging instruments to play. In symphony orchestras, four horns are typically used to cover high, mid, and low registers. The horn has an extremely wide range and a flexible tone—capable of producing both the brilliance of brass and the lyricism of woodwinds.
The China Horn Ensemble carefully curates its concert repertoire, spanning a wide range of musical styles and eras. From classical and romantic to jazz, tango, and film music, their programs offer something for everyone. The ensemble has released two albums: Horn Fusion (2016) and Collection of Chinese Works (2022), aiming to share their sincerity and passion for music with broader audiences. They believe that the combination of top-tier musicians and classic masterpieces will bring audiences a uniquely innovative experience, showcasing the unparalleled charm of the horn.
