Ying Huang, renowned lyric coloratura soprano and opera singer, is one of the outstanding Chinese vocal artists who has been active worldwide in opera and concert performances, TV and movie productions as well as recording studios. Her tender and sweet voice, flexible and unassailable technique, authentic musical styles and impassioned stage performances have won accolades worldwide from colleagues, audiences and the media, who hail her as “the nightingale from China.”

Ying Huang is the first Chinese vocalist to perform a major operatic role in an opera movie. She first came to international attention at age 27, when she made a sensational debut as Cio-Cio San in Frédéric Mitterrand's 1995 acclaimed feature film Madame Butterfly. Since then, she has appeared in opera houses including the Metropolitan Opera, Théâtre Royal de la Monnaie in Brussels Belgium, Royal Danish Opera, Cologne Opera House, China National Center of Performing Arts, performing major roles in, Le Nozze di Figaro, The Magic Flute, L’elisir d’amore, Rigoletto, Don Giovanni, Werther, Falstaff, Der Rosenkavalier, Semele, among others. On December 29, 2006, Ying Huang starred in The Magic Flute at the Metropolitan Opera, the first in the “Met HD Live” series, which was broadcasted live worldwide. A New York Times review praises her “bright tone” and “supple phrasing” and declares her “suited to Mozart.” Another reads: “A lovely, clear-voiced lyric soprano, Ying Huang, in her debut role at the Met, was an alluring Pamina.” In 2009, Ying Huang was selected onto the “Wall of Fame” in the Met’s 125th Anniversary celebration. Meanwhile, Ying Huang has devoted herself to the cause of Chinese contemporary operas. She worked with Tan Dun to prepare the opera The First Emperor, and has starred in his Peony Pavilion, which was later recorded by Sony, and Guo Wenjing’s The Poet Li Bai, among others. In April, 2011, Madame White Snake, in which Ying Huang starred the title role in its premiere production, won the Pulitzer Prize.

Ying Huang has also been very much in demand on concert stages, appearing regularly in Mostly Mozart Festival in New York, Festival d'Automne à Paris, Wiener Festwochen, Cincinnati Music Festival, Beijing Music Festival and Music in the Summer Air in Shanghai. Concert halls she has appeared include the Lincoln Center, Carnegie Hall, Kennedy Music Center and the Goldener Saal in the Wiener Musikverein, performing major vocal masterpieces such as Bach’s “Wedding Cantata,” BWV 210, Handel’s Messiah, Haydn’s Die Jahreszeiten, Mozart’s Coronation Mass, Poulenc’s Stabat Mater, Orff’s Carmina Burana,

Mahler’s 2nd, 4th and 8th Symphonies, Richard Strauss’s Vier Letzten Lieder, Berlioz’s Les nuits d’été, Tan Dun’s Bitter Love and Qigang Chen’s Iris d’ évoilée. Ying Huang has collaborated multiple times with the New York Philharmonic, the Chicago Symphony Orchestra, the London Symphony Orchestra, the Royal Philharmonic Orchestra, the SWR Radio Orchestra, among others, with James Levine, James Conlon, Christoph Eschenbach, Charles Dutoit and John Nelson among other conductors.

As an artist for Sony Classical, Ying Huang has recorded a number of internationally distributed albums including the soundtrack of Madame Butterfly, Operatic Arias with James Conlon and the London Symphony Orchestra, Richard Danielpour’s Sonnets to Orpheus, and Bitter Love, a concise version of Peony Pavilion, composed and conducted by Tan Dun. Her most recent Sony release includes Roger Waters' Ça Ira with Bryn Terfel and Paul Groves.

Dedicated to using her voice to bridge the East and the West, Ying Huang has been frequently invited to perform on celebration occasions, such as the ground-breaking 1997 Vienna White Christmas concert with Plácido Domingo and Michael Bolton, the Opening Concert of the Shanghai Grand Theatre with José Carreras, the pre-opening celebration of the Athens Olympics in 2004, the Celebration Concert marking the success of Shanghai’s bidding to hold the World Expo with Andrea Bocelli, the Opening Ceremony of the 2010 Shanghai World Expo (singing the theme Song Ode to the Expo) and the Closing Ceremony of 2011 World Aquatics Championships. After her performance on September 21, 2011 in the Kennedy Center’s “China: The Art of a Nation” festival, the Washington Post reviews: “It was soprano Ying Huang’s riveting and lustrously sung performance of two gorgeously neo-impressionistic arias from Zhou Long’s 2009 opera, “Madame White Snake,” that was the highlight of the evening.” Then on February 12, 2013 at the Lincoln Center in New York at the Chinese New Year Concert with the New York Philharmonic, Ying Huang marveled the entire audience with her extraterrestrial vocal interpretation of Ye Xiao Gang’s contemporary music version of Das Lied Von der Erde, a much praised musical endeavor to dialogue with Gustav Mahler. 

Representative of Ying Huang’s most recent public performances are her recital concert hosted by the Hong Kong Chapter of the Asia Society in 2012 which has won wide praise by local Hong Kong media as well as the Financial Times, her much celebrated participation as the lead soprano in the successful performance of Mozart’s Requiem with the Macau Orchestra at the Macao Cultural Centre Grand Auditorium in April 2013, as well as her superb interpretation of operatic arias such as Una voce poco fa, from Rossini’s Il barbiere di siviglia at the 2014 Phoenix TV’s New Year Concert at the National Centre of Performing Arts in Beijing. Worthy of note further is Ying Huang’s outstanding stage performance as Susanna in the NCPA’s new production of Mozart’s Le Nozze di Figaro that has been turned into an NCPA’s HD movie for release worldwide.

In recognition of her professional accomplishments as a distinguished soprano worldwide in classical music and the operatic field, the Chinese government has extended a warm invitation to welcome Ying Huang back to her motherland since 2013 under China’s “1000 Talents Program”. While still being one of the most sought after classical music performing artists on stage in China and around the world, Ying Huang is now a professor at the Shanghai Conservatory of Music heading up several projects and courses involving career development training for young musicians as well as the innovative effort to bring out the beauty of Chinese art songs to the attention and appreciation of the world. A true artist with a never tiring effort to seek for professional excellence, her stage appearances and professional engagements are still being represented and handled by a dedicated team of her managers across the globe. Ying Huang resides between Shanghai and New York but continues to travel around the world for her performances.